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Thread: The Most Unforgettable Sartorial Jewels Of Hollywood Divas

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    Default The Most Unforgettable Sartorial Jewels Of Hollywood Divas



    Can you ever forget Audrey Hepburn’s Givenchy gown, Raquel Welch’s animal print bikini or Jennifer Beals’ sweatshirt? Their costumes are etched in our minds forever just as their characters in those films. A look at some of the most unforgettable sartorial jewels of Hollywood divas






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    LBD in Breakfast at Tiffany’s
    When Audrey Hepburn ate a Danish pastry while gazing at a Tiffany’s window, the little black dress she wore became the crown jewel in any woman’s wardrobe. Created by her favourite designer, Givenchy, it highlighted her slight figure with simple, straight lines. A classic was born!





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    Green dress in Atonement
    Author Ian Mc Ewan spent several pages on Cecilia (Keira Knightley) choosing her dress for the eventful dinner in the novel that the film is based on. Director Joe Wright insisted to costume designer Jacqueline Durran that the gown must have the same feel. Durran came up with a flowing bias cut green silk gown that would flow with Knightleys movement, as if she were underwater. It was voted the best film costume of all time in poll run by a fashion magazine.





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    Black dress in Gilda
    The film was the launchpad for Rita Hayworth; the rocket was the the black satin dress that Gilda performs a striptease in, designed by Columbia Pictures costume designer, Jean Louis. To be able to wear the dress, Hayworth had to wear a corset, because just a few months before she had given birth to her daughter, Rebecca.





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    Animal skin bikini in One Million Years B.C.
    Raquel Welch became a sex symbol after she emerged from the sea in a fur-lined animal skin bikini as Loana in the 1966 Hammer film One Million Years B.C. The legendary shot became a bestselling poster in no time and was part of the reason why Playboy dubbed Welch the Most Desired Woman of the 70s.





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    Menswear-inspired in Annie Hall
    Actress Diane Keaton didnt have to go far to create a look that changed womens fashion in this Oscar-winning Woody Allen comedy; it originated in her own closet. Her eclectic style  mismatched pieces of oversized menswear  from floppy hats to baggy chinos, with a Ralph Lauren tie as the coup de gras  sent women running not to boutiques but to the neighbourhood thrift shop. It also triggered the renewed popularity of womens slacks on a par with the craze created in the 30s by Marlene Dietrich and Katharine Hepburn.





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    Red gown in Pretty Woman
    The bright red show-stopping gown by Marilyn Vance-Straker signalled the completion of Vivians (Julia Roberts) transformation from a streetwalker to head-turning sophisticate.





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    Tuxedo in Morocco
    The films most famous moments featured Marlene Dietrich wearing a mans black tuxedo, singing and sharing a kiss with another woman. The black-and-white film stirred controversy because of the kiss and because it was one of the first times that a woman appeared on the screen wearing pants.





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    Pink sheath dress in Gentlemen Prefer Blondes
    Worn by Marilyn Monroe as she croons Diamonds are a girls best friend in the 1953 classic, the shocking pink strapless number  worn with matching long gloves and armfuls of sparklers  is the most memorable (and imitated) Hollywood dresses of all time.





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    Off-shoulder top in Flashdance
    When the sweatshirt actress Jennifer Beals wanted to wear as welder-by-day/dancer-by-night Alex Owens shrunk in the wash, a fashion craze was born. Designer Michael Kaplan had to cut off the top just to get it over her head, and the image it created on the films poster swept the world.





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    Punk chic in Desperately Seeking Susan
    Popstar Madonna wrote her personal style across every scene. Layer after layer of lace and leggings. Fingerless gloves and sloppy tees. Blazers with Minnie Mouse ears. Innerwear as outerwear. By 1985, the Susan look became huge.





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    Yellow dress in How to Lose a Guy in 10 Days
    Kate Hudsons backless satin sheath  worn during a pivotal moment in the climax when both she and co-star Matthew McConaughey realise theyre playing each other  was designed by costumer Karen Patch, who created the polished dress to flaunt the sparkling diamond necklace worn by Hudsons character.





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    Red velvet dressing gown in Gone With the Wind
    Every dress in Scarlett O'Haras wardrobe is worth going out on a limb for. The films designer, Walter Plunkett, spent months traveling through the South to historical societies and private collections where he examined and sketched original costume pieces from the Civil War period. We love this floor-length velvet dressing gown, which became the epitome of boudoir elegance.





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    Catsuit in The Matrix
    The Wachowski Brothers simply described Trinity as a woman in black leather in the script, but it was interpreted tremendously by costume designer Kym Barrett for the 1999 science fiction blockbuster. She put Carrie-Anne Moss in a glistening black vinyl catsuit that cleaved to her curves like shiny urban armour.





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    White ensemble in Basic Instinct
    You cannot argue with the impact of the white dress actress Sharon Stone wears for the interrogation scene in this erotic thriller. Ellen Mirojnick exposed her character Catherine Tramells true personality in this short sleeveless dress in winter white wool crepe with matching double face silk, featuring high-cut armholes and roll neck, with a white shawl neck wrap-over coat.





    Kaise Mujhe Tum Mil Gayee Ho
    Kismat Pe Naa Aaaye Yakeen....

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